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Monday, 27 February 2012
Iran’s ‘A Separation’ wins best foreign language Oscar
LOS ANGELES, Feb 27
(Reuters) ‘A Separation’
won the Oscar for best foreign
language fi lm becoming
the fi rst Iranian movie to
win the honor.
Written and directed by
Asghar Farhadi, the domestic
drama focuses on a couple
going through a divorce
and touches on traditions,
justice, and male-female relationships
in modern Iran.
‘A Separation’ was regarded
as the front-runner for the
foreign language Oscar after
sweeping the awards circuit
in Europe and the United
States. It also garnered an
Oscar nomination for best
original screenplay.
It was the second Iranian
fi lm to be nominated for an
Oscar, and the fi rst to win.’
At this time, many Iranians
all over the world are watching
us and I imagine them
to be very happy,’ director
Farhadi said while accepting
the Oscar yesterday.
‘At a time of talk of war,
intimidation and aggression
is exchanged between
politicians, the name of their
county, Iran, is spoken here
through her glorious culture,
a rich and ancient culture
that has been hidden under
the heavy dust of politics.’
‘I proudly offer this award
to the people of my country,
the people who respect
all cultures and civilizations
and despise hostility and resentment,’
he added.
‘A Separation’ has received
almost universal critical
acclaim, gracing many
top 10 lists for the best movies
of 2011.
Made for 800,000 dollar,
the fi lm has generated more
than $13 million in worldwide
box offi ce sales, according
to the web site Box
Offi ce Mojo, including 2.6
million dollar in the US.
Two nights before the
Oscar ceremony, Israeli and
Iranian artists came together
in a show of peace, said
Lior Ashkenazi, a star of
the Israeli foreign language
Oscar entry ‘Footnote’. ‘At
the Academy event in honor
of the foreign fi lms, we sat,
spoke and all the veils came
off,’ Ashkenazi told Israel’s
Army Radio. ‘They are
warm hearted people. We
invited them to Tel Aviv and
they invited us to Tehran.
‘ Farhadi, who works and
lives in Iran, has been reluctant
to entertain theories
that his fi lm is a parable for
the struggles between Iran’s
young dissidents and its paternalistic
mullahs, saying
it is up to audiences to take
from the movie what they
will. Others have interpreted
‘A Separation’ as a comment
on class differences, or
as a critique of Iran’s justice
system, or a clash between
modernity and tradition.
Farhadi made the movie
under Iranian censors who
impose strictures on fi lmmakers
in the name of Islamic
morality and national
morale. But he has said he
was not confronted with
censorship. Award-winning
Iranian director Jafar
Panahi was sentenced to jail
in 2010 and banned from
making any more fi lms.
Farhadi has spoken up for
Panahi, putting himself in
the line of fi re from hardliners
in the Iranian government.
But Farhadi has also criticized
fellow Iranians who
emphasize state censorship
in order to promote their
movies abroad, saying they
are as morally culpable as
the government offi cials
who censor them.
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